Sunday, August 28, 2011

Lessons in Sustainability


Summer 2011
Submitted by Kathy Colt

I recently joined Junco Sato Pollack in Lakemont, Georgia, not far from Lake Rabun and the Tallulah River, to learn more about the Kudzu plant and its many fiber applications.  To have been able to observe and participate in this process was a great honor.  As an initiate, my understanding of Kudzu is incomplete, although I learned much during my brief time with Junco.  Many individuals are exploring this plant and its uses, particularly as it relates to textile process.  If you haven’t already done so, I invite you to peruse this blog for accounts of their experience and work.  For my prosaic step-by-step reflections on the process itself (with images), please also see the “Processing Kudzu” page of this blog. 

First, a bit of history:  The sustainable use of this East Asian native vine (known as kuzu in Japan) has a long history.  Archaeology suggests that the Kudzu vine was processed for a variety of domestic uses beginning with the Neolithic period in what are now China, Japan and Korea.  Refinements in processing, along with the emergence of weaving technology, increased its range of application over time.  Eventually, widespread use of Kudzu, which to this day is harvested only in nature, was eclipsed by other cultivated plant fibers such as cotton, hemp and ramie.  Arguably, Kudzu cloth might have faded into history had it not been for its favor among the ruling elite in early Japanese society (thus rendering it of value to contemporary scholars).  Remarkably, the vine continues to be harvested and processed for cloth production, although this archaic technology is in danger of being lost to perpetuity, despite the best efforts of Folk Craft proponents in Japan to keep it buoyant.  (For a more detailed description of the history of Kudzu use in Japan, see “The Changing Fortunes of Three Archaic Japanese Textiles” by Louise Allison Cort, on the “Recommended Reading” page of this blog.)

One potential bright spot in Kudzu’s ongoing chronicle may be found in the Southeastern United States.  Here, the vine is the epitome of “wild and abundant,” as efforts to subdue since its introduction in the late 19th century it will attest.  In our current context, Kudzu has much to teach us about sustainability and the laws of nature.  While there are legitimate reasons to eradicate Kudzu in some areas (mostly relating to its impact on native habitats), there have been no successful attempts, thus far, to do so.  Rather than struggle (through the use of biological, chemical and physical force) to remove Kudzu from the landscape for which it clearly has an affinity, we might endeavor to find a more appropriate relationship with it.  This is not a new idea: the Japanese have known this for millennia, as have mountain dwellers of Southern Appalachia in more recent times.  To live a sustainable life is to be in complete harmony with our environment - taking only what is needed, supporting renewal, creating little or no waste and leaving little or no impact.  It remains to be seen whether we will be able to limit the impact of Kudzu on our environment in the future; however, it is possible to work with its presence in a more skillful manner now.  In my own case, by taking the time to slow down and appreciate the vine’s subtler qualities, my relationship to it has been permanently altered.  I can imagine a time when, with mindfulness and acquired skill, the harvesting and preparation of Kudzu fiber for cloth production could represent a vibrant facet of the sustainable textile movement.

My weekend immersion with Junco introduced me to the art of Kudzu fiber preparation for cloth production, along with a survey of the plant’s ecology, its human history, and uses.  This was an invaluable learning experience.  Kudzu harvest is a late-spring/summer activity.  If you are interested in information on current or future workshop opportunities on the art of Kudzu fiber harvest and preparation with Junco Sato Pollack, please periodically check this blog for updates or use the "comments" section below to make contact.

Thursday, September 3, 2009

Thursday, June 18, 2009

Kudzu Products


Humans have found use of natural resources in their environment since the beginning of history. Kudzu is the oldest fiber known to humans. Archeologists confirmed that the oldest fabric found in China from the Neolithic time was made of kudzu vines.
I find inspiration in time honored fine crafts, the way of living close to nature honoring its abundance and beauty.
This product is completely sustainable, biodegradable, and beneficial to our natural environment and the regional ecology.

Product Name: Kudzu / cotton Table Runner 1
Size: 10" x 75"
Material: cotton 50%
kudzu 50%

Product Name: Kudzu / linen Table Runner 2
Size 10" x 65"
Material: linen 50%
kudzu 50%

Product Name: Kudzu / linen Table Runner 3
Size : 10" x 65"
Material: linen 50%
kudzu 50%

Product Name: Kudzu Place Mat 1
Size: 10" x 17"
Material: linen 50%
kudzu 50%

Orders accepted on the different lengths of runners and place mats.

Junco Sato Pollack
Lakemont, Georgia
www.JuncoSatoPollack.com
info@JuncoSatoPollack.com

Monday, June 15, 2009

Kudzu fabric, grown wild, and handmade in Georgia

The runner shown below is 10" wide and 6' long. It was woven with kudzu fibers harvested in north Georgia and hand processed by Junco Pollack.

Saturday, June 13, 2009

Hochokan/Warwoman Center Kudzu Workshop

These pictures were submitted by Elma Ettman, founder of Sustainable Arts Society of Blue Ridge Georgia.

Kudzu fibers to fabric


These are the processed kudzu fibers.


Processed kudzu fibers being woven into cloth.
Photos and work by Junco Pollack

Georgia Mountain Laurel Article



The November 2008 issue of the Georgia Mountain Laurel magazine published an article about the Kudzu workshop held in September. To view this article, click on the images above, or you can view this or other Georgia Mountain Laurel articles at http://www.georgiamountainlaurel.com/November08.pdf or
http://www.georgiamountainlaurel.com

Monday, June 1, 2009

Kudzu weaving workshop at Warwoman

Linda Campbell sent us her collection of photos from the weekend's workshop. To visit her site, go to http://kibby54.multiply.com/journal

Sunday, May 31, 2009

September Kudzu workshop

Elma Ettman, founder of Sustainable Arts Society submitted these pictures from the September Kudzu workshop held at her farmstead.

Monday, October 27, 2008

Kudzu Purse



Kudzu Purse

Executed in the twining technique, this purse if lined and has a handle of a four-strand braid composed of recycled men's ties. The ties are stripped of their lining and interlining before braiding. By the way, I have a huge assortment of interlinings saved up. I could not waste them since they are woolen and dyeable, therefore there is a large bagful just waiting for a friend's weaving project. Some are even dyed already. Let me know if this is what anyone might be looking for. The purse was done for a friend, Holly Williams, in Blairsville, GA, who is a lampwork glass artist and does a good amount of felting since she has several alpacas. So Holly did the closure on the purse, using her wonderful beads, hammered copper wire and a quartz crystal. She also did the felted lining.

The purse that I am using now will have lasted three years in January. I am working on a new one, dyed a good red, only because I am a bit tired of the color, kiwi, which I used to handpaint it. It is double lined and done in a random design.

Regina Hines - reginahines@alltel.net

www.kudzu-art.com

Tuesday, September 30, 2008

Sustainable Arts Society

The Sustainable Arts Society is an artist residency program situated in Blue Ridge, Georgia. Artists live and work in solitude during their residency, in an idyllic setting. It is located in a restored 1885 historic farmstead. While in residence, artists eat food harvested from the farm as well as cheeses made from the resident goats.

Elma Ettman, Founder and Director of the Sustainable Arts Society is a very gracious host. Along with Karen, they saw to our every need, feeding us gourmet meals and snacks at every opportunity. The participants of the workshop would like to extend their sincerest gratitude to Elma for making us feel so comfortable and welcome.

For more information about the Sustainable Arts Society go to http://www.sustainable-arts.org/.


Friday, September 26, 2008

Workshop

The first in a series of workshops took place the weekend of September 12. The group, led by Junco Sato Pollack, an artist and Associate Professor of Textiles at Georgia State University, included individuals with prior experiences and expertise using kudzu as a medium, as well as weavers.

During this workshop, Junco Pollack demonstrated methods she has used for harvesting the fibers from kudzu plants to be used in loom weavings. The group discussed the viability and marketability of kudzu, while brainstorming on different merchandise products that will lend themselves to the kudzu weaving process.



Junco anticipates the harvesting and processing of kudzu fiber to be aimed towards weavers, paper makers, knitters, basket makers, and artists who are interested in incorporating kudzu into art.

The workshop group participants will form a fellowship on kudzu art to promote research and exchange through future events.

The workshop was hosted at The Sustainable Arts Society, 2350 Dial Rd., Blue Ridge, GA 30513. Please visit their website for more information http://www.sustainable-arts.org/

Workshop and Retreat Facilitators

The workshop was led by Junco Sato Pollack. She not only demonstrated the kudzu harvesting process but also gave lectures and background on asa cloth, a Japanese term that embraces all grass-bast fibers.

Jeremy Dahl participated as a lecturer and introduced the group to the science of forests and species. More information about Mr. Dahl can be found at http://www.deepforesfieldschool.org/

The following are cv's of both lecturers:

Ms. Junco Sato Pollack, is an artist and Associate Professor of Textiles at Georgia State University since 1992. Junco studied weaving, natural dyes, and sericulture, along with weaving kudzu in Kyoto, Japan during the 1970s with the late Mr. Tsuguo Odani, master weaver, who was a disciple of Mr. Soetsu Yanagi, the founder of Japan's Folk Art Museum in Tokyo and the Falk Art Association, Mingei Kyokai. Junco lives in North Georgia. She is committed to sustainable art practices and to the forming of green handcraft industry in North Georgia. She is on the board of Hambidge Art Center which will be celebrating its 75th Anniversary in 2009. She hopes to introduce kudzu weaving during the Hambidge Center's anniversary celebration.

Jeremy Dahl holds a Ph.D in Physical Anthropology and conducted 40 years of primatological research on primate and tropical forest conservation. He has subsequently founded the Deep Forest Field School with a multi-faceted approach to saving forests with a principal focus on the urban forest of Atlanta. He has a First Degree Black Belt in Cuong Nhu, and applies his martial arts skills by cutting invasive plant species from our precious trees.